The Yemisi Shyllon Museum of Art sits conspicuously in the compound of the Pan-Atlantic University. In the surrounding aura of scholarship, it appears rather aloof and confident, in the way that sacred things appear around secular things.
I had seen pictures of the building on the Internet and I have been fascinated. As typical of elemental representation of Africa, the building is earthy. Its structure, unlike, say, Europe’s rococo or baroque, is less exhibitionist.
The tour guide, a brilliant guy called Solomon, lavished with his knowledge about Nigerian art and artists. One held one’s breath as he fumbled to pronounce some names, especially Yoruba’s. But he impressed as someone who enjoyed his job and will not be held back by mispronunciation.
Brymo wafted in the background as Solomon took his new clients round the works. We soon took the turn from the modernist works hosted at the entrance into the clay and NOK Terracotta section. The materials notwithstanding, I got curious about an arrangement that seemed to place pre-historic works alongside a few contemporaries. (I have strong opinions about most modernist arts whose value lies in their pretend and shock value than offering anything close to higher sensory intimations. They are everywhere these days. Kitsches in Kitchen ). Thanks gracious, the contemporaries have their corner where they exhibit their garishness.
I noticed Lamidi Fakeye’s. Solomon and I didn’t seem to agree if the master sculptor was still alive. I conceded to his stance. I was in his hood, after all.
There’s a Kolade Oshinowo’s piece that bears the same mood as Enwonwu’s Tutu. Lots and lots of Ben Osawe. Grillo’s. Bruce Onobrakpeya’s. As expected, some pieces about the Benin Kingdom found home here.
We ended the day knowing we’ve been thoroughly satiated. I had offered to tip Solomon for an excellent job. But the good man didn’t accept. I hope this post encourages people to visit the Shyllon Museum and hopefully experience Nigerian art from the voice of a knowledgeable Solomon.
I shall visit again.
